Who is a conceptual artist




















Also, it will call for a deeply revisionary conception of art, one fundamentally hostile to the very notions we are probably most used to associating with art, namely beauty and aesthetic pleasure. Central to the philosophy of conceptual art is thus the provocative spirit of the project under investigation — conceptual art throws down the gauntlet by challenging us to reconsider every aspect of artistic experience, and it may well be up to philosophy to pick it up and address some of the questions conceptual art makes its business to raise.

Conceptual art actively aims to be thought-provoking, stimulating and inspiring, and if only for that reason, philosophers interested in art should not pass it by unaffected. Conceptual Art — What Is It? The Philosophy of Conceptual Art — What is it? Five Philosophical Themes 3.

In the words of Morris Weitz, art may be an open concept. New conditions have constantly arisen and will undoubtedly constantly arise; new art forms, new movements will emerge, which will demand decisions on the part of those interested… as to whether the concept should be extended or not.

Weitz , 32 The act of proposing a definition of art thus becomes a less stringent exercise of conceptual analysis. They may be struck by these qualities at once, or they may come to perceive them only after repeated viewings, hearings, or readings, and with the help of critics. But unless they do perceive them for themselves, aesthetic enjoyment, appreciation, and judgement are beyond them… the crucial thing is to see, hear, or feel. Sibley , Further Questions Many more questions centred around these five philosophical themes remain to be examined in relation to conceptual art.

Beardsley, Monroe, Bell, Clive, Art , London. Binkley, Timothy, Budd, Malcolm, Carroll, Noel, Iseminger ed. Corris, Michael ed. Cray, Wesley, Currie, Gregory, Danto, Arthur C. The Transfiguration of the Commonplace , Cambridge Mass. Davies, David, Art as Performance , Oxford: Blackwells.

Davies, Stephen, Dickie, George, Fry, R. Godfrey, Tony, Conceptual Art , London: Phaidon Press. Goldman, Alan, Gover, Karen, Essays on Art and Language , Cambridge, Mass. Ingarden, Roman, The Literary Work of Art , G. Grabowicz trans. Kieran, Matthew, Kosuth, Joseph, Lewitt, Sol, Reprinted in Osborne, Levinson, Jerrold, Lippard, Lucy, Maes, Hans, Margolis, Joseph, Meyer, Ursula, Morgan, Robert C. Osborne, Peter ed. Newman, M. Piper, Adrian, Sauchelli, Andrea, Schellekens, Elisabeth, Acta Analytica , 10— Shelley, James, Sibley, Frank, Art and Knowledge , London: Routledge.

Walton, Kendall, Weitz, Morris, Wimsatt, W. This was an attack on Modernism that gave rise to something that was entirely anti-form. The work of art became about actions and ideas, and from this point onwards, it seemed like the floodgates had opened and artists had moved into totally new territory. Modernism had really come to an end.

The article presented Conceptual art as the new avant-garde movement. When an artist uses a Conceptual form in art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. Conceptual art as a clear movement started emerging in the lates.

Later, the group also expanded to the USA. This was an installation consisting of a group of eight filing cabinets containing 87 texts from the Art-Language journal. In keeping with the confusing and complex nature of Conceptual art, the American artist Mel Bochner condemned her account as confusing and arbitrary. As stated before, Conceptualism was not only important in the USA and England, but was also widely explored and developed in other parts of the world, where the work was often far more politicised.

In France, around the time of the student uprisings, Daniel Buren was creating art that was meant to challenge and critique the institution. His aim was not to draw attention to the paintings themselves but to the expectations created by the art context they were placed in.

In Italy, Arte Povera emerged in , focused around making art without the restraints of traditional practices and materials. She is widely recognized for her extraordinary paintings which fuse together natural energies of her homeland with explosive expressionism and calligraphy filtered through conceptual installations. Strongly influenced by pop art , graffiti, and the calligraphic art, Fridriks' hyperkinetic abstract paintings are filled with swirls of vibrant color, address serious and rather worrying environmental and political issues such as genetic research, cloning, overconsumption, and exhaustion of natural resources.

She is often compared to Jackson Pollock. Several of Fridriks' series of paintings are constantly reworked through elaborate perspective studies, while their epic proportions show her exceptional skills in playing with the size, thickness, and format of the canvases. Claude Rutault is one of the most significant French conceptual artists, best known for his extraordinary artworks that merge together different mediums like painting, sculpture and architecture.

Since his early ' 70s art , Rutault has been creating his artworks that employ his so-called de-finition method , a step-by-step procedure which allows anyone to re-create his paintings. For example, the de-finition method 1 of reads: a canvas braced on a stretcher, painted the same color as the wall on which it is hung.

These time consuming and labor demanding installations represent artist's visual commentary of consumerist culture and mass production, and show his careful artistic observation of the sunlight in nature. Preschoux creates them spontaneously, with no previous graphic guides or drawings, starting with nothing more than single center point from which he disperses strings to various different endpoints.

Preschoux's string installations are made permanent by photographer Ludovic Le Couster, who captures their photographs with strategic lighting carefully placed in such a way that the stretched pieces of thread turn to mesmerizing vibrant stills.

Jenny Holzer is one of the most famous and most awarded American conceptual artist from New York, widely praised for her provocative language based public works that deal with powerful subjects of consumerism, torture, disease and death. Holzer began her highly prolific career in s and she quickly got noticed for her Truism series of confrontational one-line aphorisms she used to wheat-paste to buildings, walls and fences in and around Manhattan.

Holzer's unsettling words of wisdom, often written by others, have since appeared everywhere, from posters, billboards, T-shirts and condoms to illuminated electronic displays and xenon light projections on buildings and other architectural structures.

More recently Jenny Holzer created and acclaimed series of captivating screen printing paintings featuring declassified government documents pertaining to prisoner abuse.

Edited and published by The Art Story Contributors. The Art Story. Ways to support us. Conceptual Art Started: Mid s. It is the process of conception and realization with which the artist is concerned. If they keep it in their heads, that's fine too. They don't have to buy it to have it - they can just have it by knowing it. This includes the art of installation, political, feminist, and socially directed art. Summary of Conceptual Art Conceptual art is a movement that prizes ideas over the formal or visual components of art works.

Three Triangles by Sol LeWitt. Beginnings and Development. Later Developments and Legacy. Key Artists Joseph Beuys. Quick view Read more. Joseph Beuys was a German multi- and mixed-media artist best known for incorporating ideas of humanism, social philosophy and politics into his art. Beuys practiced everything from installation and performance art to traditional painting and "social sculpture. John Baldessari. John Baldessari, born in , is an American conceptual artist. He often combines image and languages in his art.

His early works were canvas paintings that were empty except for painted statements derived from contemporary art theory.

His juxtaposition of image and text is reminiscent of Rene Magritte's surrealist paintings. Sol LeWitt. He rose to prominence in the s with the likes of Rauschenberg, Johns and Stella, and his work was included in the famous exhibit Primary Structures at the Jewish Museum.



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